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Egyptian Delegation
and 28 Egyptian Young Artists who are selected by Atelier of
Alexandria to participate on XIII BJCEM biennale - Puglia from
22nd to 31st May 2008
Egyptian Artists:
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Abdallah Dawestashy
/ APPLIED ARTS / Digital Art
I will display a group of photographs that represent
different faces for different people in which each one
convey a certain mode either a dream , hope or suffer. |
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Adel Moustafa
/ VISUAL ARTS / Plastic Art
since the Egyptian ancient civilization the bird has
respect and interesting . it was sanctified by them in "horas
the god " they compared the spirit by the bird called "
ka " it was speaking to " solimane" . the bird is
symbolize to freedom , strength , power and peace .
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Ahmed Basiony
/ VISUAL ARTS / Video Art
When the mind disagree with the real visual existence,
eye plays a big rule in transforming these scenes into a
formal ways about it, but when my feeling and my
imagining disagree with these images in that mind, I'd
feel rejecting and revolting against the usual way to
describe and reforming this fact to my own. |
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Ahmed Essamra
/ VISUAL ARTS / Video Art
In his last experiences in the field of video, the
artist is interested by his own childhood memories.
which have been overturned in to visions & visual
characters With all what they contain from leaved
persons, grandmother's tales about the genny, the magic,
and the onset of meeting and knowing of |
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Ahmed El Shaer
/ VISUAL ARTS / Video Art
Human life become connected to a series of numbers and
these figures do not chosen , but the uniqueness of the
name , Date of birth , telephone number , credit card
all these figures control the life to date of death , as
a product of a supermarket barcode through their own
know life in all its aspects. |
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Ahmed Nour
/ IMAGES ON THE MOVE / Film
Bakry is a real simple Egyptian 50 years old man who
lives in a small village called ( nakalefa) in( alfayoum)
with a family that consists of a wife and 2 daughters
esra & rabha who has born can hear but cannot talk ,and
that is the only thing in life that hurts bakry the man
who has an eternal magical smile that rarely quits his
face. |
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Aly Said
/ VISUAL ARTS / Plastic Art
At the beginning of the industrial revolution, the most
importance of the machine appeared and how it effects
the human’s culture and civilization . and because the
artist is the only person who can represent the spirit
of egad, the machine become a source of inspiration to a
lot of artists in which they handle it in different
ways. |
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Dahlia Refaat
/ VISUAL ARTS / Photography
My project is to make stenope photographs. It’s an
equation: position of the box, light also controlling
the developing process to get a complete successful
image. Exhibiting my work depends on repeating the same
image in different directions with only a monochrome
photo assembling an imaginary moment during the several
long seconds of filming. |
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Hany Elsayed
/ VISUAL ARTS / Plastic Art
This work (INISTILLATION) in clouding photography &
painting & sculpture . this work talking about the HUMAN
BEING and some move and reeking for the human from place
to another place. |
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Islam Kamal
/ IMAGES ON THE MOVE / Video
God create the still life. The well of life and the
concept of belief-the act of belief- Struggle of the sun
flower –a small plants which raise in between railways
bars under the wells of the city tram railways generally
in Mediterranean countries Human feature -by video – of
randomly samples of people by “H.D” monitoring.
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Lamia Moghazy
/ VISUAL ARTS / Installation
the effect of the media and the internet in our life.
the project will be sort of photography and painting
installation . their will be a painted and real object
attached on the wall and the floor . so I will need a
small cubed room or corner about 3x3m or 2x3 or what's
available |
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Mahamoud Hallwy
/ VISUAL ARTS / Plastic art
Its an art project, which am trying trough to find the
real reasons behind pushing us to the commercial aims ,
and the effect of the modern commercial image on me as a
member of the Egyptian society. |
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Mahmoud Hamdi
/ VISUAL ARTS / Plastic art
Egyptian visual artist & curator, Mahmoud Hamdi had his
BfA in Art Education from University of Helwan 2002,
Producing & exhibiting art from the year 2000, he is
working on his main project The Relics from 3 years,
producing through it projects like Golden 2005, 13
Messages 2006, Tales from Underground 2008. |
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Maryam Abdel Wahab
/ APPLIED ARTS/Visual Design
Energy is an existing phenomenon in our mortal life, we
are all formed from energy we absorb and give back
energy. In religions they say God is a form of energy.
Well in my work I express my point of view either
paintings or photographs and search about the energy of
the God or the energy that we share with him. |
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Massar Egbari
/ MUSIC / Rock
Ayman Massoud, Hany El Dakkak, Shady Abd El Azim, Ahmed
Hafez, Tamer Attallah and Tamer Issa
The initiated project between Massar Egbari and Tamer
Issa aims at merging music with photography to produce
an audio-visual clearer image of the type of music
played by the band; depicting their lives in
“ALEXANDRIA” the Mediterranean Cosmopolitan city. |
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Mohamed Abdul Kreem
/ VISUAL ARTS / Video Art
under construction project Video Installation project
Track 8.14 min loop its currently under construction
project, and its just a primitive phase of the hole big
work which is experssing my own religious identity,
specially the gained one not the inherited. |
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Mohamed Elmasry
/ VISUAL ARTS / Plastic art
I adopted in my works a style of reforming the reality
and express it in different ways, I produced many
colored works away from the classic style. in a lot of
my works tried rebuilding the structure of the
characters, I have took many sketches to many persons
and places I have deal with them, but in a different way
aiming to express my opinion. |
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Mohamed Safar
/ VISUAL ARTS / photography
That is breath joint life between the beginning and the
end of life. Veachzh newborn to announce on life, take
Heart declares death. That currency is the ugly face of
the beginning and the end, that peace is a two-sided
face of the rise and fall of the other. This work lies
in the philosophy of self Dzeouath deeply moving in the
concentration went. |
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Mohamed Nagieb
/ VISUAL ARTS / Plastic art
At the outset of his career, Monumentality has been an
obsession in his mind., Naguib was also deeply impressed
by the works of the Spanish sculptor Miguaello Nevaur
and his monumental concept in architecture. His vision
was thus widened, and he started to conceive the
dimensions of his aesthetic experience on a more
totality and awareness basis. |
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Rabab Nawar
/ VISUAL ARTS / Plastic art
My work is instillation painting photography and
sculptour some light and music taking about deifrant---
faces and human been. |
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Adham Hafez Company
/ SHOW / Dance
Adham Hafez and Saad Samir
Choreographer, performer, music composer and
installation artist, Adham Hafez works with different
states of performing, performance strategies, music
structures, ritual practices, physicality and
embodiment. Awarded by the Egyptian Ministry of Culture
and Cairo Opera House, HIGH VOLTAGE explores different
dualities, unmasked physical fatigue, manipulation of
time, and a journey between reality and illusion.
Inspired from Hindu-Buddhist texts, and writings for
Virginia Woolf.
www.adhamae.com |
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Egyptian
Delegation:
The president of
Eyptian Delegation is:
Prof. Mohamed Rafik
Khalil
Curator /
artistic programs and external relations
Artist. Moataz El
Safty
The Journalist of
Egyptian Delegation is:
Mr. Salah Bassar
The commissioner of
Egyptian Delegation is:
Artist. Ibrahim El
Tanbouli
The commissioner
Assistant of Egyptian Delegation is:
Artist. Hany El
Sayed
The Selection
committee are:
Prof. Mohamed Rafik
Khalil
Dr. Medhat Nasr
Dr. Reem Hassan
Artist. Ibrahim El
Tanbouli
Artist. Hany El
Sayed
Artist. Moataz El
Safty |
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Puglia 2008 - Project and Venues
The Region Puglia, for its geographical position and its
Mediterranean vocation, is consider a crossroad between East and
West, an area for the dialogue and the cultural exchanges.
The project foresee to host the productions of the XIII Biennale
in the whole region, creating a real artistic network on the
basis of cultural, social and economic vocations of the Puglia
territory.
This statement would allow to reply in many towns some artistic
disciplines (for ex. Images in the Move, Performances or
Readings) in order to permit the audience of wide areas of the
region to assist to the held artistic productions, as well as to
concentrate in other towns some artistic disciplines (for
examples exhibitions) catalyzing the cultural and economic
realities of the region which are specialized in that field
(galleries, Academies etc. spread in the region).
The venues surely suggest an everyday practice, developing
symbolic imaginaries and creating an added value: maybe Puglia
is one of the Italian regions which express at best these
concepts thanks to its richness and artistic, architectural,
historic and cultural varieties.
In the whole region there will be venues set up to host the
artistic disciplines forecast by the Call for participants of
the Biennale, thought to favour as possible the disciplinary
meetings in a sort of large area of free cultural exchange.
We would be in a huge artistic bag in the Euro-Mediterranean
area, which will make Puglia the meeting point of social,
economic, politic and geographic reference for artists,
operators and public and private institutions.
The theme for the XIII Edition of The Biennial 2008 is: "Our
Creative Diversity: kairos " (Greek word pronounced
keeros, meaning fit time, opportunity, a point in time where
change is possible).
"Our Creative Diversity: kairos"
"kairos" is a possibility of change in the city, and feel the
vigorous urge towards its further evolution. We have witnessed
so much damage and dismay, there is a will building towards that
"kairos" point in time where change can take place all over the
Mediterranean Region and especially in the south and Middle
East.
"kairos" time is also approaching for artists of all kinds. Art
has its uses as well as beauty that addresses our deepest
feelings. Art can be intense and provoke, raise our awareness,
and soothe our feelings. Young artists especially have a fresh
approach and can urge their audience to face up to new
standards, see new ways. Young artists can transcend the limits
that tradition and inertia have imposed and face the new
possibilities. They can depict and interpret, raise issues,
propose a change, add comprehension, express dismay, raise hope.
So also it can be used to enhance and encourage evolution of
thought at critical times, at a "kairos" time.
More Details
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